Building 1 Room 1111 Monday, Wednesday, and Friday 8:10 - 9:00 AM


Required Text:

Gardner’s Art Through the Ages: A Global History, Volume II

Other text will be distributed as handouts or online accordingly.


Course Goals:

1.To introduce the chronology and historical context, characteristics, and problems of major works of art from the infant stages of the Renaissance to the emergence and development of Post-Modernism and contemporary art practices.


2.To explore and investigate how these works of art manifest and/or served the cultural values and ideas of their respective civilizations.


3.To teach methods in examining and experiencing art, learning how to analyze the formal characteristics of a work of art, and how to communicate and discuss the issues and ideas that surround it.


Requirements:

1.Attendance. Every student is responsible for all material covered during the class period; this will include content outside of the text. Coming to class is the best way to insure you don’t miss anything. If you miss a lecture, make certain you get good notes from a classmate. Homework and adjustments to the course schedule will also be announced only in class; therefore your attentiveness to any day(s) missed will be crucial. Three unexcused absences will lead to the lowering of your grade by 100 points; an A would become a B, a C would then be a D.


2.Preparation. This is a fast moving course. We cover a vast amount of millennia in a matter of months. It is necessary to read assigned material before class, in order to keep up with content and details of studied images and reading. Quizzes will be given periodically on images and their reference. These will be considered as a low part of your grade, as their true function will be to prepare you for the exams. Two typed essays will also be assigned. Late papers will lose 100 points per day late, unless arranged in advance.


3.Participation. This class meets very early in the morning, and much of our time will be amidst dim lighting. In order for all of us to stay awake and invested in the course material I will engage the class in group discussions throughout the lecture. A crucial focus of this course is to communicate and express what has just been learned or discovered, and the best way to absorb new information is to apply it, whether in writing or in dialogue.


4.Student Honesty Policy

Cheating of any kind whether it is on an exam, homework, or presenting someone else’s work, phrasing and/or ideas as one’s own will result in a 0 for the assignment, and may result in an F for the course.



Course Outline


Reading Assignments and other exercises will be introduced at the beginning of the week. Make sure you observe the images as well as what is written, both will be applied in class and then reviewed through quizzes and exams. We will not study every artwork mentioned in the book and some artworks we will investigate further than what is discovered in the book. Stay up to speed and things will be easier to retain and learn.


*All dates and assignments are tentative and subject to change.



Aug. 19 Introduction to course and content (Formal Analysis and Ways of Seeing.)

21Gothic to Early Renaissance / Chapter 19


24Flanders in the Fifteenth Century / Chapter 20

26France, Spain, and Germany in the Fifteenth century / Chapter 20

28Italy in the Fifteenth century / Chapter 21


31Italy in the Fifteenth century / Chapter 21

Sept.2Field Trip / Legion of Honor

4Italy in the Fifteenth century / Chapter 21


7Holiday Labor Day

9Italian High Renaissance and Mannerism / Chapter 22

11Italian High Renaissance and Mannerism / Chapter 22


14Italian High Renaissance and Mannerism / Chapter 22

16Italian High Renaissance and Mannerism / Chapter 22

18Review for Exam 1


21Exam 1

23Age of Reformation / Chapter 23

25Age of Reformation / Chapter 23


28Baroque and Rococo / Chapter 24

30Baroque and Rococo / Chapter 24

Oct.2Baroque and Rococo / Chapter 24



5Baroque and Rococo / Chapter 24

7African Form / Chapter 32

9Field Trip / De Young Museum


12Native America / Chapter 30

14Oceania / Chapter 31

16Change in Southern Asia / Chapter 25


19China and Korea / Chapter 26

21Japan / Chapter 27

23Review for Exam 2


26Exam 2

28Age of Enlightenment / Chapter 28

30Age of Enlightenment / Chapter 28


Nov.2Age of Enlightenment / Chapter 28

4Age of Enlightenment / Chapter 28

6Into Modernism/ Chapter 29


9Into Modernism/ Chapter 29

11Flex Day

13Into Modernism/ Chapter 29


16Into Modernism/ Chapter 29

18Modern Form / Chapter 33

20Modern Form / Chapter 33


23Modern Form / Chapter 33

25Modern Form / Chapter 33

27Holiday - Thanksgiving


30Critical Views / Chapter 34

Dec.2Critical Views / Chapter 34

4Field Trip / SFMOMA


7Critical Views / Chapter 34

9Critical Views / Chapter 34

11Review for Final


??Final Exam

Skyline College

ART 102 – History of Western Art II:

Pre-Renaissance to Post-Modernism

Fall 2009 Syllabus


Michael Ryan

Office – 1101B

Email: ryanm@smccd.edu

Website: www.michaeljryan.com

Phone: 650-738-7301 extension: 19428

Office Hours: Monday and Wednesday 7:30 – 8 AM, or by appointment.

Aug. 19 text - S.GiedionART102_2.html

CV

Teaching